10 November 2010
Plain Trains and Automobiles- DUE DATE Review
A hectored businessman is travelling home and ends up stuck with a loveable buffoon who gets him in and out of all kinds of scrapes. The basic skeleton is the same, and there's not a lot of meat on the bones- the businessman is Peter Highman, whose wife is giving birth to their first child at the end of the week. An altercation with Ethan Tremblay, the buffoon, gets him on the no-fly list, and the two of them cross America together before the arrival of Peter's first-born.
Todd Phillips is clearly on top of the pile at the moment, what with his uber-successful comedy The Hangover becoming one of the big sleeper hits of 2009 and working its way into the affections of a million Facebook users who like to start arbitrary groups with names like "Doug's in the trunk, LOL JK, it's a naked Asian guy with a stick". When you make that film, you're allowed to make whatever you want to make next, within reason.
Phillips resolved to go backwards, not only by making a film closer to his Road Trip or Old School than to The Hangover, but also by plagiarising from a much better John Hughes film. I don't want every film to cite its influences as blatantly as Easy A professed its roots in the Hughes canon, but this film doesn't have a high enough IQ for me to believe Phillips knew he was ripping off Planes, Trains and Automobiles. If he did, that just makes it even worse, because the only clear benefit of his perspective on the story comes in the form of pot jokes and a masturbating dog.
Robert Downey Jr. steps in for Steve Martin, and astoundingly, the film manages to make him unlikeable. After a dazzling run of great roles from 2005's Kiss Kiss Bang Bang up until now, this film really made me dislike Robert Downey Jr. Do we give a shit if he gets home on time? No, because the only urgency about his character's odyssey is supposed to come from Michelle Monaghan, who literally phones in her peformance as the expectant mother of Peter's child. Some sympathy with Peter is sorely needed and sadly absent, when you consider what he's contrasted with.
Fresh off of The Hangover, Zach Galifianakis is another man-child as Ethan. In John Candy's performance as Del, there was a real human being visible. He has that absolutely wonderful monologue where he retorts to a blistering rant by Steve Martin by saying he's happy in himself, and that he has loved ones who like him for who he is too. It's a sober moment that a cartoon character like Galifianakis would never get, and I really don't think he has the range to pull off something like that. Instead, Ethan is calculated to annoy the shit out of Peter, and I dare say the audience as well, and act without any recognisable indication of human behaviour.
Due Date is a waste, really. It's Todd Phillips' failure to realise that the success of The Hangover happened by circumstance and not by design. Indeed, given how most of his movies are road movies, I'm surprised at how long its taken him to make a film that takes off Planes, Trains and Automobiles so blatantly. And pitched as it is for the generation who loves The Hangover, it really pales in comparison. Too many plot turns ring false and too many jokes fall flat. My hopes are suitably lowered for next summer's The Hangover Part II.
Due Date is now showing in cinemas nationwide.
If you've seen Due Date, why not share your comments below? Can you believe Jamie Foxx is in this movie? Whatever happened to the Oscar-winning actor whose name used to mean something in cinema? Eesh.
I'm Mark the mad prophet, and until next time, don't watch anything I wouldn't watch.